The piece is built from field recordings made in Jerusalem in 2021/22. Insisting to treat the sounds
of the city as musical objects, the composition does not attempt to offer an objective image of the city.
Rather, in its subjective musicality, it aims to reflect some of Jerusalems unique historical, political and
Supported by Art Foundation of Saxony-Anhalt
Shortlisted for Phonurgia Nova Awards, 2022