The vast majority of entries in Buckleys journal (1959-1964) circle around how musical
communication could potentially be organised. Buckley applies mathematical laws to
musical settings and derives rules and strategies out of card games and alphabets.
50 years after his untimely death in a tram accident on June 15th, 1964, Buckley's
pioneering ideas come to life in the music of Die Hochstapler: Four independent voices,
free to suggest, pretend, agree, disagree or ignore at any time of the game, collectively
build up a rhetoric, full of hints and references, playful and ever changing.
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25.05. tba, Mulhouse
26.05. Jazz d'Or
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Video: Die Hochstapler live at Festival Météo, August 2014
have appeared in various festivals and sites all over Europe (Cable
Festival Nantes, Festival Météo Mulhouse, Jazz d´Or Berlin, Umlaut Festival Berlin, Cité
de la Musique Paris, Hagenfesten Dala-Floda, etc.
). Their 2CD set "The Braxtornette Project"
been released on UMLAUT Records to great critical acclaim (see below).
Next to their remarkable instrumental competence, the four members of "Die Hochstapler"
are also incredible card players. On their long tours they like to indulge in various central
European card games, which they practice in order to improve their reaction and strategy
skills. They even developed a game on their own called "Hochstaplerei"
, which they pre-
sented at the Umlaut Festival Berlin 2014.
Playing cards for "Hochstaplerei" © Die Hochstapler
THE BRAXTORNETTE PROJECT
Die Hochstapler's previous project "The Braxtornette Project"
, a work on the musics
and philosophies of both Anthony Braxton and Ornette Coleman, has been performed at
various festivals and venues in Europe between 2011 and 2014. A recording in four parts
has been released as a double CD on Umlaut Records
to much critical acclaim.
Die Hochstapler - "The Braxtornette Project" (2CD, Umlaut Records 2013)
"sensationell gut gelungen"
Curt Cusine, skug
"Excellent projet, vivement conseillé."
Julien Héraud, Improv-Sphere
Franpi Barriaux, Citizen Jazz
"Anyone with more than a passing interest in either composer, or simply interested in the
current European jazz scene, should snatch this baby up."
Brian Olewneck, Just Outside
"Allt sprudlar som glad kolsyra."
Leif Carlsson, Lira
Excerpt from live recording at Sowieso, Berlin, March 2013